2021 News

"The lighting the Acropolis, highlights with new, bright light the monuments of the Holy Rock and has gained international recognition by art and lighting experts worldwide. The light of the Acropolis travels around the globe having lit up the most important monument of Western Civilization. It promotes Greece's cultural heritage and continues to promotes our nation. Congratulations to Eleftheria Deko and Associates for their wonderful efforts, this is an important success that honours our country

Lina Mendoni, Greece's Minister of Culture and Sports

The [d]arc Awards celebrate the best in lighting design. They attract entries annually from notable lighting designers and architects around the globe. For 2020 there were 400 entries from 40 countries. The winner in the 'Structures' category for 2020 was awarded to the Acropolis in Athens, Greece. A great accolade for Eleftheria Deko and Associates, not least Greek lighting design, as the structure, the Acropolis and its monuments, are globally recognised iconic, historic monuments - adding a dimension to the significance of these awards for all mankind.
Minister of Culture and Sports Lina Mendoni stated, "The work of lighting the Acropolis, highlights with new, bright light the monuments of the Holy Rock and is the work of scientists, technicians, and Eleftheria Deko and her team. It was carried out in close cooperation with the Ministry of Culture and Sports, the executives of the Archaeological Service and received all the approvals required by Greece's Archaeological Law. It is one of the projects implemented to upgrade the site and was made possible with the kind donation of the Onassis Foundation. This work is now gaining international recognition by art and lighting experts worldwide as the light of the Acropolis travels around the globe having lit up the most important monument of Western Civilization. It promotes Greece's cultural heritage and continues to promotes our nation. Congratulations to Eleftheria Deko and Associates for their wonderful efforts, this is an important success that honours our country."
To find more about the [d]arc Awards and their categories, please follow the link here.
 
 
 
 

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The bicentenary of Lord Byron’s death at Missolonghi will fall on April 19 2024. What better a time for the United Kingdom and Greece to honour the friendship between the two nations and their people than by marking it with further cultural exchanges befitting of his memory. In these difficult times, cultural heritage should uplift humanity, not divide it.

As Greece counts 200 years since the beginning of its war of independence in 1821, we can all celebrate the spirit of defiance against tyranny and a dedication to freedom, democracy and human rights. The Iliad-literate prime minister, Boris Johnson, has called Greece’s unique brand of meritocratic indignation the “hallmark of Greek genius”. But what made the Greek Revolution truly exceptional was that from the outset, it was never a matter for the Greeks alone.

The pan-European solidarity expressed at the time of the revolution marked the birth of a strong current of philhellenism that endures to this day. Few embody this better than Lord Byron, whose love letters to Greece paid stunning tribute to the place “where grew the arts of war and peace”. With words that speak down the ages, it is little wonder that he continues to be honoured in Greece, including today on Lord Byron Day.

The Prince of Wales recently said that without Greece our laws, art and way of life would never have flourished. But without Britain, they would not have survived the test of time. I couldn’t agree more. From the Greek struggle for independence to the two world wars and recent Greek history, the relations between the United Kingdom and Greece are not simply ties between nation states but between people with a shared commitment to freedom, equality, democracy and respect for human dignity. My own personal ties to the UK date back to my student days at the London School of Economics and I have been an enthusiastic Anglophile ever since.

I am also a firm believer in keeping alive our common cultural heritage and educating the generations to come. This year the Benaki Museum in Athens has organised the most comprehensive exhibition of Modern Greek history ever seen. Among a thousand objects sits a portrait of Lord Byron by Thomas Phillips, on loan from the National Portrait Gallery in London. The loan of cultural objects is an important gesture from one country to another but this is also an opportunity to educate the public about the enduring bond between our two countries and to give Lord Byron his rightful place in the Greek story.

Cultural heritage teaches us where we come from, where we have been and helps us understand who we are today. Modern Greece has Lord Byron to thank for this. I also have no doubt this is why Lord Byron informed his mother from Prevesa that he would be returning to Athens, later prolonging his Hellenic journey indefinitely. Here was an English peer with an undeniable thirst to consume Greece in its entirety, from the ancient walls of the Parthenon to the modern Greek we speak today. If he believed that understanding Greece’s cultural heritage held the keys to modern society’s own existence, he would not have been the only one.

As the European Commission’s vice-president for promoting the European way of life, I can relate to Lord Byron’s commitment to the preservation and promotion of cultural heritage (unfortunately not to his poetic genius). It is why I will also be visiting the Benaki Museum’s exhibition at every chance I get, to see the portrait of Lord Byron and the many other pieces on loan from private collections and important museums across Europe.

The bicentenary of Lord Byron’s death at Missolonghi will fall on April 19 2024. What better a time for the United Kingdom and Greece to honour the friendship between the two nations and their people than by marking it with further cultural exchanges befitting of his memory. In these difficult times, cultural heritage should uplift humanity, not divide it.

Margaritis Schinas is vice-president of the European Commission, this article was first published in The Times


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Greek President Katerina Sakellaropoulou has named Professor Paul Cartledge, Commander of the Order of Honour, in recognition of his contribution in enhancing Greece's stature abroad.

Yannis Andritsopoulos, Ta Nea

 

Boris Johnson has long hailed Pericles as his political hero. How does the British Prime Minister compare to the ancient Athenian statesman?

For Professor Paul Cartledge, it’s straightforward: “Johnson and Pericles? No comparison. Johnson v Pericles? No contest,” he says.

The Cambridge classicist has spent more than 50 years studying the history and civilization of ancient Greece. An eminent Hellenist, a prolific writer (he has written, edited or co-edited more than 30 books) and a long-standing philhellene (he has been visiting Greece since 1970 and he is a staunch supporter of the Parthenon Marbles’ reunification), Cartledge will on Monday be named Commander of the Order of Honour (Ταξιάρχης τοῦ Τάγματος τῆς Τιμῆς). It is one of the highest honours that the Greek state awards. The decision to bestow the title on Cartledge for his “contribution to enhancing Greece’s stature abroad” was taken by Greek President Katerina Sakellaropoulou.

Cartledge has contributed to several television and radio programmes and publications on issues related to ancient Greece.

The renowned academic is author of popular history books such as The Spartans: An Epic History, Thermopylae: The Battle that Changed the World, The Greeks: A Portrait of Self and Others, Alexander the Great: The Hunt for a New Past and Democracy: A Life. His latest book is Thebes: The forgotten city of Ancient Greece (Picador, 2020). In 1998 he was the joint winner of the Criticos (now London Hellenic) Prize for The Cambridge Illustrated History of Ancient Greece.

Cartledge, 74, is A.G. Leventis Professor of Greek Culture emeritus at the University of Cambridge, A.G. Leventis Senior Research Fellow at Clare College, University of Cambridge, and Member of the European Advisory Board of Princeton University Press.

He is Vice-Chair of the British Committee for the Reunification of the Parthenon Marbles (BCRPM) and elected Vice-President of the International Association for the Reunification of the Parthenon Sculptures (IARPS). He is also President of The Hellenic Society, Chair of the London Hellenic Prize, member of the International Honorary Committee of the Thermopylae-Salamis 2500 Anniversary framework and Honorary Citizen of Sparta.

In an interview with Greek daily newspaper Ta Nea, Professor Paul Cartledge spoke about his relationship with Greece, ancient history (including its connection and relevance to our times), democracy (ancient and modern) and the Parthenon Marbles.

Q: Greek President Katerina Sakellaropoulou has named you Commander of the Order of Honour in recognition of your contribution in enhancing Greece's stature abroad. What does it mean to you to receive this award?

A: It means the world to me, since it's a public and visible confirmation that somehow both my academic research (and publications) and my attempted media interventions on cultural and other issues affecting modern as well as ancient Greece have been to a satisfactory degree successful. I see myself, perhaps rather grandiosely, as a 'public intellectual', and since around 1990 I have both tried to publish work that, though academically based and scrupulously researched, is also 'accessible' to a wider public than just my specialist university colleagues and students, and to intervene on major public cultural issues, such as the Reunification of the Parthenon Marbles, a cause very dear to my heart. I tried to sum up these points as part of my Inaugural Lecture as the founding A.G. Leventis Professor of Greek Culture in the University of Cambridge (delivered 2009, and published by the C.U.P., 2009): 'Forever Young: Why Cambridge has a Professorship of Greek Culture'.

Q: When did you first become interested in Greek history and culture? Why did you choose to study the Classics?

A: I can almost pinpoint the moment to a precise year: I was given for my 8th birthday (1955) a copy of a simplified, children's version of Homer's Odyssey. We all know the famous episode when Odysseus, after 20 years away, at last returns to his island-kingdom of Ithaca, only to find that his palace has been taken over and is being trashed by 108 'suitors' (of his faithful Spartan wife Penelope). Outside the palace back door, full of ticks and generally in a very bad way, lies amid the dirt and squalor a dog - Argos. Once he had been Odysseus' favourite hunting dog, but now he is abandoned and degraded. Odysseus comes upon him and, though he is in disguise as a poor beggar man, Argos recognises his master! But the effort is too much - Argos has a heart attack and dies. Odysseus secretly sheds a tear - I wept out loud for half an hour...

That's the symbolic moment of origin of my classical career. Just as crucial, obviously, was the fact that I attended private schools in which the teaching of Latin was begun at the very same age - 8, and of Greek at age 11. And the learning of Latin and Greek was privileged: if you were good at these languages, as I was, then you found yourself placed in the 'top' forms or sets. And so it went, as I progressed from Colet Court in London to the senior St Paul's School, a famous Classics school founded in 1509 by humanist John Colet, a friend of Erasmus. And from there on to New College Oxford, to read 'Mods' and 'Greats', i.e. Classics (1965-69). I graduated with a 'Double First' and, since by 1969 I'd decided I wanted as a career to teach ancient history at university, I embarked on a course of doctoral (DPhil) research into early Spartan history and archaeology under the supervision of John Boardman - then plain 'Mr Boardman', now 'Sir John'.

Q: When did you first visit Greece and what do you recall from your first visit to the country?

A: I am rather ashamed - retrospectively - that I did not visit Greece until 1970 - as part of my doctoral programme. My first serious venture on Greek soil was on Crete, to take part in (in fact oversee the pottery shed for) Hugh Sackett & Mervyn Popham's excavation for the BSA (British School at Athens) of the so-called Unexplored Mansion site at Knossos. Mainly Roman levels were what we were hitting in summer 1970 - but that's not all we British and American students were hitting, by any means. A couple of local mpouats (boîtes) engaged our interest of an evening, and at weekends we went on ekdhromes, expeditions, either solo (as I did once - and when I asked directions, a local farmer asked me very fiercely 'Germanos eisai?' 'Oxi, Anglos!', I replied. Huge smiles all round - this was only a generation after the Nazi occupation) or in a group.

Participation in that excavation gave me a series of lasting and deep friendships, some now interrupted by distance or death but others still alive and well. It was also my introduction to Greek politics - under the 'dictatorship' of 'the Colonels'. Members of the BSA were required - by the Greek state - to swear that they wouldn't get involved in any political activity. I duly signed, but did not abide by my oath, not on Crete (where I listened and learned to how the fiercely independent Cretans saw Athens, regardless of which regime held power there) so much as back in Athens.

I signed the oath at the British School under the watchful eye of the then Director, Mr PM Fraser (All Souls Oxford). That would have been in about June 1970, when I arrived in Greece for the very first time. On Crete (BSA dig at Knossos) in summer 1970 I talked a lot of politics - the Cretans I spoke with (workers on the dig) were openly contemptuous of the Colonels. (Except for the Dig Foreman, Andonis - who was a Colonels' supporter. He had gained the position because his brother, a communist, had been sacked from it...) We weren't supposed even to 'talk' politics. Back in Athens in 1971 I had friends who were part of the underground resistance. e.g. I attended with them a 'secret' talk given by Cambridge economics prof Joan Robinson and went around with them distributing resistance literature to private addresses in the city. (No mobile phones, no internet...). On one occasion I agreed to act as a courier - between the resistance and (Lady) Amalia Fleming, widow of Sir Alexander (discoverer of penicillin), who lived in London. I was given - I can't now remember by whom - a fairly large packet (no idea what it contained!) to take through customs at Athens airport and then on to London, where I mailed it to Lady Fleming through the normal post. I was very very nervous going through Athens airport security and customs - but my carry-on bag wasn't searched.

Q: In Greece we have debates from time to time about the usefulness of studying Ancient Greek. Do you think that there is value in learning this ancient language?

A: I could hardly say 'no', could I? Let me start from the fact - I believe it is one - that the Greek poetic tradition is the longest continuous poetic tradition in the world, barring only - possibly - the Chinese. From Homer to the present day. One easy way of assimilating this is through The Penguin Book of Greek Verse, expertly edited and translated in 1971 by Constantine Trypanis. There are other such compendiums, but that one has the original Greek versions as well as a serviceable English (prose) translation. Then there is the fact - of this I have no doubt - that ancient Greek is the richest member of the Indo-European language family, capable of expressing the minutest nuances of emotion and description, blessed with several voices and moods and declensions and conjugations... Then - and directly consequent upon that latter fact - it's a fact that, if you don't know Greek, you can't speak a whole slew of English: so many are the loan words or invented words taken from Greek into English - e.g. photography ('light-writing/drawing') or xenophobia ('fear of strangers/foreigners/outsiders'). But of course, the chief value of learning ancient Greek is to read ancient Greek texts in the original - Homer, the world's greatest epic poet, Aeschylus, Sophocles and Euripides, some of the world's greatest tragic dramatists, Hippocrates, father of Western medicine, Herodotus and Thucydides, founding fathers of my own discipline of History, Plato and Aristotle, twin founders of Western philosophy - need I continue??

Q: Britain has a rich tradition over many centuries in teaching and studying the Classics – from which you have benefited and to which you have contributed immensely. Why would someone study ancient history now? How is it relevant to us?

A: In my last answer I mentioned my intellectual roots in ancient Greece: the Histories of Herodotus of Halicarnassus (c. 484-425 BCE), the History of the Atheno-Peloponnesian war by Thucydides of Athens (c. 460-400). Most people who become professional classicists do not become as I did ancient historians; for them, the literature or the philosophy are what attract and engage them. But - like one of my own English history heroes, Edward Gibbon - I have known from the age of 8 or so that I wanted to be a historian, and, since I'm a Classicist, that means I'm an 'ancient' historian. But I insist: I am a historian who happens to specialise in ancient (Graeco-Roman, Mediterranean) history, not some peculiar species of historian. Like Herodotus what engages me above all are causality and causation - why did things happen, and happen the way they did, and in no other way? I mean really significant things such as the birth, development, spread and demise of (ancient, direct) democracy, the conquest of Greece by Republican Rome, the fall of the Roman Empire in the West and East. Like Thucydides, I'm particularly preoccupied with trying to understand and explain politics - the political process, the methods of politicians, the involvement of the masses in decision-making.

Q: Which ancient Greek figure stands out for you, and why?

A: May I choose two, please? One female, one male. My female choice is a Spartan, not just any Spartan female, I admit, but a princess of the blood (more precisely, of the Eurypontid blood). Sparta uniquely in the 5th and 4th centuries - still - had two royal houses, the senior males of which ruled as joint kings (basileis). Women in Sparta were unusually empowered, by contrast to the relatively lowly status of Greek women in others of the 1000 or so Greek cities. But even Sparta couldn't contemplate a ruling Queen. Nor - I am assuming - did wives choose the names of their daughters, so I am assuming that it was her father, King Archidamus II (r. c. 465-427), who chose the name of his daughter - my female choice - Kyniska. The name means 'little dog' or 'puppy', and it's the female equivalent of Kyniskos, a name attested elsewhere in the 5th-century Peloponnese. I infer that the name gives a nod to the fact that Spartans bred particularly excellent hunting dogs, especially females, which they used in pursuit of the greatest of all 'big game', the wild boar of the lower Taygetus mountain slopes. We don't know exactly when Kyniska was born - her full brother Agesilaus II saw the light of day in about 445, so I suppose that 440 or so would be a reasonable birthdate. In which case she was about 45 when she made the biggest possible splash in the world of sports normally restricted exclusively to Greek males: the equestrian competition at the Olympic Games. In 396 she won the top-notch 4-horse chariot race - and four years later repeated that amazing feat. And she was no shrinking violet. A statue base happens to have survived from Olympia on which Kyniska had engraved a boastful epigram, telling anyone who'd listen that she was 'the first woman in all Hellas (the Greek world) to have won this crown' - the victor's olive wreath. Of course, she hadn't actually driven the winning chariots, but she had reared and trained the horses in her own stables in Sparta, where there was a considerable number of successful (male) owners and trainers already. So just to ram the point home, she opened her epigram by stating her own aristocratic breeding pedigree and bloodline: 'kings are my father and brothers', that is, the aforementioned Archidamus II and Agesilaus II and her half-brother Agis II. By 396 both Archidamus and Agis were dead: how well did Kyniska's boast go down with her full brother, reigning co-king Agesilaus? Not well at all, I think. Agesilaus's encomiastic biographer, the Athenian Xenophon, took time out to insist that, although Kyniska had indeed won an Olympic victory, it was Agesilaus's idea in the first place that she compete at all, and anyway rearing race-horses was far less important than rearing war-horses!

My male choice is a different kettle of fish altogether: not a Spartan - nor an Athenian, nor a Syracusan, nor even a Macedonian but ... a Theban. We don't know exactly when he was born, some time in the last quarter of the 5th century, nor do we know much about his family background or upbringing because - unlike that of his contemporary and sidekick Pelopidas - Epaminondas's biography by fellow-Boeotian Plutarch is lost. We assume he was high status and well educated, so his career and alleged espousal of Pythagoreanism would suggest. What we do know that, unlike Pelopidas again, who went into exile, Epameinondas remained in Thebes while it was under Spartan military occupation between 382 and 379 and did what he could to keep up Theban morale and resistance from the inside - until the daring stroke of Pelopidas and a small band of brothers effected Thebes's liberation in winter 379/8. Thereafter Epaminondas was in the frontline both physically and morally. On three fronts mainly: 1. the field of battle - he was a strategist and tactician of genius, winning for Thebes and its allies two major battles, Leuktra (371) and Mantineia (362); 2. federalism: Thebes was itself the chief city of a - moderately - democratic federal state, the Boeotians; in the 360s Epameinondas extended that principle to the Peloponnese with the foundation of Megalopolis as capital of the federal state of the Arcadians; and, not least, 3: liberation: in 369 Epameinondas was key to liberating the Helots of Messenia, Greeks who for centuries had been the unfree compulsory labour-force of the Spartans. Nor was he unconventional only in religion; so too in his private life. He never married, and he died (on the battlefield of Mantineia) and was buried side by side with his current male lover.

Q: In your recently released book Thebes: The Forgotten City of Ancient Greece you write that democracy in ancient Greece "was not just a matter of institutions but also a matter of deep culture". What do you mean by that and, given recent political developments in several parts of the world, is democracy still deeply ingrained in our culture?

A: I'm almost inclined to say that the difference between any ancient form of democracy and any modern version is like the difference between chalk and cheese, or apples and pears... All ancient versions of demokratia were direct - in antiquity 'we the people' (demos) did not merely choose others to rule for/instead of them but ruled directly themselves. That in itself gave ancient Greek democratic citizens - free, legitimate adult males only, of course - a participatory stake in governance that is not available to the vast majority of citizens in representative democratic systems like our own today. That participatory stake was not felt or exercised only occasionally but almost on an everyday basis: in the 4th century BCE the Athenian Assembly met every 9 days, yes, really, the decision-making organ of the Athenian democratic state made major decisions of religious and other political policy every 9 days. The 6000 citizens who put themselves forward to be enrolled, by lot, on the annual panel of jurors might sit on average every other day - for which they were paid a small fee out of state funds. Every year the Athenians staged two religious play-festivals, for which audience members who were too poor to afford the entrance fee to the Theatre of Dionysus were given a small subsidy. Decisions as to who were the winning playwrights and impresarios - the ancient Athenian Oscars - were made by democratic majority vote. All that implies that democracy was for them not just a matter of institutions but also a matter of deep culture. That implication was made manifest in the second half of the 4th century when a new goddess was added to the official Athenian democratic pantheon, the personification of none other than Demokratia, herself.

Q: The title of a BBC Radio 4 series you recently participated in was Could an ancient Athenian Fix Britain? What is the answer to that question? And, do you think an ancient Athenian could fix modern Greece as well?

A: There is no answer to that question! I mean, no answer to 'how could or should Britain be fixed?', if by that is meant - how do we overcome the utterly disgraceful and shameful class divide between rich and poor (which in Covid-ridden Britain equates pretty much to healthy and unhealthy Britain)? or between the well and the less well educated? or between the rich and poor regions of not just England but also Scotland, Wales and Northern Ireland? or between those regions - in favour of the strengthening or shoring-up of our now very shaky Union? I could go on. The ancient Athenian polis and the modern British state are simply not commensurable. However, at another level, there are ways in which, it could be suggested, ancient Athenian practices - I mean democratic political practices - could and should be re-evaluated with a view to seeing whether and how they might improve our own. Take the present - unelected - House of Lords: scandalously un-democratic as such (and that's without mentioning the 80-plus 'hereditaries'!!). And what about having far more in the way of genuinely democratic input into legislation - via constitutional assemblies of bodies selected by lot to be genuinely representative of all relevant sections of society, who would then put forward measured recommendations to Parliament? What about genuinely democratic referendums or plebiscites - in which all parties to a debate have to put forward a manifesto for which, if they win, they will be held responsible and accountable, if necessary through the courts?

Q: Boris Johnson, the British Prime Minister, has made no secret of his classical education and love for Greece. He has also said that Pericles is his hero. Do you see any similarities between the two statesmen? What is your opinion of Mr Johnson?

A: I am an academic, not a politician, but I am also a committed citizen, and not a supporter of the Party that chose Mr Johnson as its leader and thereby - at a stroke - originally as our Prime Minister. Very undemocratic, that. The office of the UK Prime Minister has infinitely more discretionary powers than Pericles ever held. Pericles was regularly elected to the top executive Athenian office, but he was as such a member of a board of ten, and any moment almost of any day he might be impeached - as he in fact was in 429 (deposed and fined). For ancient Athenian democrats, all officials however selected had to be made constantly to realise they were accountable - to the People. Johnson and Pericles? No comparison. Johnson v Pericles? No contest.

Q: In his recent interview with Ta Nea, Johnson said that “the (Parthenon) Sculptures were legally acquired by Lord Elgin and have been legally owned by the British Museum’s Trustees since their acquisition.” I know that you have been campaigning for decades for the Marbles’ reunification. What did you think when you read his comments? Why do you think that the Parthenon Marbles should return to Greece?

A: How would a French person feel if the Bayeux tapestry were cut in half, and half were to remain in Bayeux, while the other half was transported to Berlin? How would an Italian feel if the Mona Lisa were cut in half and one half was transported and permanently housed in Milan while the other half remained in Paris? How would one feel about either of those - as a cultured European, or as a citizen of the world? What the British Museum currently holds of the Parthenon Marbles were removed when Athens was part of the Ottoman Empire, a power whose local functionaries on the spot could not give a fig for what Britain's Ambassador to the Sublime Porte, Lord Elgin, did to or with the Parthenon Marbles. There is no evidence yet discovered to prove that what Elgin in fact did (sheer vandalism, according to Lord Byron and many of us since) was literally authorised by the Ottoman Sultan. But, even if there were, so what? What - moral - authority could possibly legitimise the removal of artefacts from a building under alien control to the jurisdiction of a foreign power which then claims them as spoils by a supposedly legal enactment? There is in Athens on the Acropolis the very substantial remnant of a once aesthetically magnificent temple, the shadow of which extends from antiquity to modernity. There is in Athens a simply amazing modern Museum with a dedicated gallery intervisible with the Acropolis in which what the Greeks hold of the Parthenon sculptures are properly - I mean scientifically, art-historically correctly - displayed. Reunification? Q.E.D.

Q: Greece is celebrating this year the bicentennial of its War of Independence, as well as the 2,500th anniversary of the Battle of Thermopylae and naval battle of Salamis. How do you evaluate the historic importance of the War of Independence and do you agree that Thermopylae and Salamis were of seminal importance for the course of Western Civilisation as we know it?

A: I am a historian of ancient Greece and Rome, not of early 19th-century Greece and Europe - and by extension the world. But I have of course read widely in the accessible literature and am aware that there has been a ton of new research issuing forth especially since the 150th anniversary, in 1971, and now at the bicentennial. As I understand it, that research tends to emphasise the singularity, the crucially influential singularity, of what Greeks both inside and outside the boundaries of the Ottoman empire achieved during the crucial first three decades of the 19th century (not coincidentally precisely the period of Lord Elgin's vandalism). In short, the Rising of 1821 saw the birth of modernity, political modernity, both in Greece and elsewhere.

As for the 2500th anniversary - or rather the anniversaries in 2021 of the two battles of 480 BCE and the anniversary in 2022 of the finally decisive battle of Plataea in 479 BCE - the issue hinges on a massive 'what if?' What if the invading Persians under Xerxes had won, rather than the 32 or 33 resisting Greek cities? (And what if at precisely the same moment, in 480 BCE, the Carthaginians of north Africa had defeated Greek Syracuse and taken over Greek Sicily?) There are many imponderables here, and as a historian I have to insist first that we must not talk of 'Greece' or 'Greeks' as if they were a unitary political force in the way that 'the Persians' were. Most Greeks of the Aegean area did NOT choose to resist the Persian invasion, and many of them fought for rather than against the Persians. Consider only Thebes: rather than join Sparta and Athens, the leading resisters, Thebes sided with almost all Greeks from Boeotia to the Hellespont and took the Persian side. And it would be hard to find two Greek cities more UNalike than Sparta and Athens in 480-479 BCE. No doubt all the resisters agreed equally that they were fighting for freedom FROM a potential Persian takeover; but within Sparta and Athens 'freedom' could have very different meanings for different sectors of the population - for male citizens as opposed to female; for all citizens as opposed to legally unfree Helots or chattel slaves. So, for me, the question of what difference did the loyalist Greeks' victory over the Persians make on a grand, world-historical/civilisational scale boils down to - would the Athenians' precious and still infant democracy have been allowed to survive, had the Persians won? To which my answer is: unquestionably not. And - therefore - but for the loyalist Greeks' victory, there would have been no "Persians" tragedy by Aeschylus (472 BCE), and indeed no flowering of the tragic and later comic drama that constitutes the very foundation of all Western drama. No democracy would have meant no free speech, no free exchange of scientific and philosophical and other ideas, ideas which sometimes challenged even the very basis of conventional norms not least in religion. But even so, it is not of course the ancient Greeks or Athenians themselves who directly ensured that their original creations should influence subsequent civilisations including our own today - for that, we have to thank the Romans, the Byzantine Greeks, the European Renaissance, the European and American Enlightenments ... 'Legacy' or cultural inheritance is a dynamic, two-way, dialectical and constantly renegotiable process - currently being rather fiercely debated so far as 'Classics' is concerned, along the two axes of racism and sexism above all. Let a thousand flowers bloom...

This interview was written by  Ioannis Andritsopoulos, UK Correspondent for Greek daily newspaper Ta Nea and published on 17 April 2021

 

Professor Paul Cartledge received his Commander of the Order of Honour from H.E Ambassador Ioannis Raptakis in London on 22 April 2021, at the Ambassador's Residence . This  was organised on the occasion of Philhellenism and International Solidarity Day and Greece's 1821 Bicentennial. John Kittmer,  Kevin Featherstone, Stephen Fry and Robin Lane Fox  were awarded the Commander of the Order of Phoenix and Professor Paul Cartledge with the Commander of the Order of Honour . H. E Ambassador of Greece, Ioannis Raptakis, presented the medals on behalf of the President of the Hellenic Republic, Katerina Sakellaropoulou, recognising each distinguished philhellene for their contribution in enhancing knowledge about Greece in the UK and reinforcing the ties between the two countries.

H.E. Ambassador Raptakis with Professor Cartledge, awarded  the medal of Commander of the Order of Honour  and  second photo John Kitmer with Ambassador Raptakis and Professor Cartledge.

Stephen Fry with Ambassador Raptakis, second photo Ambassador Raptais with Kevin Featherstone and  last image is Lane Fox.

 

 


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Light, φως and the many voices, a virtual tour of the Acropolis Museum hosted by the HACC

Worth watching and listening to the many voices that continue to be inspired by the Parthenon and it's unique and iconic location on the Acropolis Hill. The images are arresting, as is the 15 million plus global visitors to date that have discovered the meaning of so many artefacts. The Acropolis Museum is an experience that many more will continue to enjoy for years and decades and centuries to follow.

As the world continues to look to the UK Prime Minister, his government & the British Museum, for the will and understanding that is needed to facilitate the reunification of the Parthenon Marbles, the Hellenic American Chamber of Commerce hosted an online event on Saturday 10 April 2021, which included a virtual tour of the Acropolis Museum with Professor Pandermalis. The event was beautifully hosted by Chryssa Avrami. You can watch the event by following the link here.

HCCA virtual collage

After the welcome to the event, Chryssa Avrami introduced HACC President Markos L. Drakotos, Esq. who noted that “the Acropolis is the heart that breathes life into the Eternal Harmony of this world balancing our existence within time and space." 

Avrami then introduced His Eminence Archbishop Elpidophoros of America, who also called for the return of the Parthenon Marbles which remain in the British Museum.

Consul General of Greece in New York Konstantinos Koutras, remembered his first visit to the Acropolis at a young age and reminded us all of the sense of pride he feels when foreign dignitaries visit the site and are awe-struck. So many of us can still remember President Obama's memorable November 2016 visit to the Aropolis Hill and the Acropolis Museum before he concluded his term as US President.

Mareva Grabowski Mitsotakis, the wife of Prime Minister Kyriakos Mitsotakis, spoke about the miracle of the Parthenon which saw the birth of democracy and so much more - the 'gifts' of civilization that continue to influence our every day lives even today.

Journalist Nikos Aliagas, academic Byzantinologist Helen Glykatzi-Ahrweiler, Paramount Pictures CEO Jim Gianopulos,Olympic gold medalist Yiannis Melissanidis, Phedon Papamichael, Albert Bourla, John Coumantaros also added insights, as did actress, producer and musician Rita Wilson.

Marianna Vardinogiannis, UNESCO Goodwill Ambassador also added her call for the reunification remembering Melina Mercouri's words before she passed away: "when the Marbles will return to Greece, I will be reborn."

Photographer Robert McCabe noted that the Acropolis changes in the light and weather conditions and is a never-ending kaleidoscope for a photographer. When asked to summarize the Acropolis in one word, McCabe said “continuity” as the Acropolis connects the present an ancient Greek civilization and language. We couldn't agree more that the Attica light is such an important element of how the ancient treasures on the Acropolis Hill and the Acropolis Museum are viewed and celebrated by visitors from all over the globe.

Musician George Dalaras, Fashion Designer Mary Katrantzou, Managing Partner IRI/Marshall Islands Registry Clay Maitland, composer Evanthia Reboutsika, Computer Scientist and 2007 Turing Award-winner Joseph Sifakis, Town & Country Magazine Editor in Chief Stellene Volandes, and composer Stavros Xarhakos also shared their thoughts.

A Q&A session with Professor Pandermalis, moderated by Sylvia Papapostolou-Kienzl, followed the virtual tour and concluded the event.

We reflected that the sculptures removed from the Parthenon by Lord Elgin at the start of the nineteenth century were once referred to by the ame Lord as 'stones of no value'. A man of position and influence, Lord Elgin had paid for the sculptures to be forcibly removed, originally destined for his Scottish ancestral home. A fire sale in 1816 has seen them exhibited the wrong way round in a room that has very little natural light in the heart of Bloomsbury at the British Museum's Parthenon Galleries, Room 18. They have been senselessly divided for over 200 years.

Dame Janet Suzman, Chair of The British Committee for the Reunification of the Parthenon Marbles states: "These sculptures are like no other and have done their job in London. It is time for them to join their other halves in the Acropolis Museum's Parthenon Gallery, as it is here, that visitors can have a single and aesthetic experience simultaneously of the Parthenon and its sculptures."

We wish to thank the Hellenic American Chamber of Commerce for today's memorable event, it was uplifting and enlightening to hear so many voices calling for the reunification, there was light, φως ...... in the voices and the images of this live event. We especially wish to thank Professor Pandermalis for taking us on this vitual tour, especially as many of us that annually visited the museum, have been unable to do so and cannot wait to return to see that light and those sculptures, the Parthenon Marbles.


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Standing together: Greece and the UK

UK Under-Secretary of State Wendy Morton met with Alternate Minister of Foreign Affairs of the Hellenic Republic, Miltiadis Varvitsiotis on Tuesday 06 April 2021. Minister Varvitsiotis tweeted:
‘Standing together, we continue to deepen our strategic partnership & to strengthen our historic ties in order to jointly address the common challenges of the future.’

“Greece and the United Kingdom are working together to create very strong relations following Brexit and to shape the future strategic partnership between the two states,” Alternate Minister of Foreign Affairs Miltiadis Varvitsiotis stressed following his meeting with the UK Under-Secretary of State, Minister for European Neighbourhood and the Americas, Wendy Morton. The talks focused on the reopening of tourism, the Cyprus issue, cooperation on the migration issue, and security issues in the Eastern Mediterranean. Mr. Varvitsiotis also raised the issue of the Parthenon Marbles.

Mr. Varvitsiotis also raised an issue that, as he said, every Greek politician has a duty to raise: the Parthenon Marbles. More specifically, he stressed  that the Parthenon Marbles must be repatriated and reunited with the Global Heritage Monument of the Parthenon, especially following the opening of the Acropolis Museum, which is ready to welcome the Marbles “back to their home.”

To read the full press release of this meeting, follow the link here.

Greece continues to place the issue of the reunification of the Parthenon Marbles as a permanent request to the UK. The Minister of Foreign Affairs, Nikos Dendias met with his counter part Dominic Raab, in London earlier on this year, on 02 February 2021 and also broached the subject of the sculptures from the Parthenon in the British Museum. During this meeting, both Ministers reaffirmed the strength of the UK-Greece relationship, noting 2021 marks 200 years since the beginning of the struggle that led to the foundation of the modern Greek state, in which the UK played a key role. The Ministers also discussed proposals for new initiatives to deepen UK-Greece co-operation, including in the fields of education, cultural exchange and defence.

ministry of foreign affairs

Greece strongly supports the return and restitution of cultural property to the countries of origin and highly appreciates the work and achievements of the UNESCO ICPRCP Intergovernmental Committee, where the issue of the Parthenon Marbles is constantly examined since 1984.

In this context, Greece was disappointed that the United Kingdom refused to accept its request to initiate a mediation process on the Sculptures from the Parthenon through the relevant UNESCO Rules , despite the respective Recommendation of ICPRCP.

Despite the fact that, between 1984 and 2018, the ICPRCP adopted at least 16 Recommendations calling for the return of the Parthenon Marbles, the British side appears, to Greece’s regret, not to have seriously considered as yet the possibility of resolving the dispute over the sculptures of the Parthenon that are in the British Museum.

Aside from the British arguments, Greece's long-standing request to re-house the surviving sculptures of a unique world heritage monument, a 'wonder of the world', will continue to be made at every opportunity possible. Greece remains convinced that fairness will prevail. With that in mind, Greece continues to invite the British Government to reconsider its stand.

Chair of the British Committee for the Reunification of the Parthenon Marble, Janet Suzman, continues to also look for a deeper, more meaningful exchange of discourse between Greece and the UK. "When we consider that Lord Elgin referred to the sculptures as 'stones of no value', it begs the question as to why, after 200 plus years, we cannot find our generosity of spirit and see the huge merit of reuniting these peerless sculptures in the Acropolis Museum. A donation to Greece of what is in Room 18 would support the long history shared by the UK with Greece. There is so much more to be gained in finding a way to facilitate such a donation than to be using arguments that are out of step with the times and global opinion."

 


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Statements by the British Secretary of State for Digital, Culture, Media and Sport, Oliver Dowden underline the fact that the arguments used to justify the retention of the Parthenon Sculptures in London, are threadbare.

Dr Lina Mendoni, Greece's Minister of Culture and Sport

In The Times on Saturday 27 March 2021, Oliver Dowden, was interviewed by David Sanderson, Arts Correspondent. In the interview Oliver Dowden was keen for the cultural world to reopen and shares similar views with Prime Minister Johnson with regards to the cultural treasures held by British Museums such as the 'Elgin' Marbles and Benin Bronzes. Johnson told Greek newspaper, Ta Nea, this month that the government’s “firm longstanding position on the [Parthenon] sculptures is that they were legally acquired by Lord Elgin under the appropriate laws of the time."

Dowden is quoted as adding: “Once you start pulling on this thread where do you actually end up? Would we insist on having the Bayeux Tapestry back? American institutions are packed full of British artefacts. Japan has loads of Chinese and Korean artefacts. There is an exceptionally high bar for this . . . because I just don’t see where it ends. You go down a rabbit hole and tie up our institutions. I think it is just impossible to go back and disentangle all these things."

Dowden said that while he loved the Benin Bronzes, he had “never related that much to the Parthenon Sculptures” until the museum’s director, Hartwig Fischer, “showed me around and told me the story in wonderful depth, revealing a whole different level of the artistry which I found really inspiring”. He added: “Would they have survived the Nazis rampaging through Athens during World War II. It is a slightly trite argument but there is a truth. Would the Benin Bronzes have survived various international conflicts?”

To read the full article, kindly visit The Times link here

Oliver Dowden's remarks sparked reactions from BCRPM's members, although many also felt that the Minister's comments were so poorly thought out it would be best not to comment at all. BCRPM member, Professor John Tasioulas, took to Twitter:

twitter Tasioulas

 

Further to the article in The Times on Saturday with Oliver Dowden, Greek Minister of Clture and Sport, Dr Lina Mendoni’s statement can be read below:

 "Yesterday's statements by the British Secretary of State for Digital, Culture, Media and Sport, Oliver Dowden underline the fact that the arguments used to justify the retention of the Parthenon Sculptures in London, are threadbare. Dowden, having nothing else to say, revives the argument of the so-called phenomenon of "the floodgates for mass returns of antiquities" from Museums around the world to their countries of origin. This is a non-existent argument, given that only one request is pending before UNESCO's Special Intergovernmental Committee at the moment: Greece's request for the reunification of the Parthenon Sculptures, tabled in 1984. So where are the massive demands of the Member States?

The British Minister of Culture is attempting to downplay the value of the Parthenon's unique architectural sculptures by comparing the Greek request with other claims. Greece claims only the dismembered forms of the frieze, the metopes and the pediments of the monument - a symbol of Western civilization - which were violently removed from the monument and the land of their birth. Greece claims only the Parthenon Sculptures in order to reunite entirety  the surviving sculptural components of the Parthenon, therby restoring the integrity of this outstanding monument.

As for the argument that Elgin supposedly rescued the Sculptures – since they could have been destroyed by others, if they had not been stolen by the noble Lord – we will remind Mr. Dowden of what one of his compatriots carved on the Acropolis at the time of the violent theft: "quod non fecerunt Gothi, hoc fecerunt Scoti" (what the Goths did not do, the Scots did ) ..."

mendoni 2

In today's Ta Nea, UK Correspondent Yannis Andritsopoulos, writes that the response from Minister Mendoni to Oliver Dowden was baked by Janet Suzman, Chair of BCRPM and at the same time a letter has been sent to Prime Minister Johnson by IOCARPM (the first Committee to be founded for the campaign to reunite the Parthenon Marbles), members of the International Association. The letter signed by Founder and Chair Emanuel John Comino and Secretary, Russell Darnley, can also be read in full here.

Janet's full statement:

"That Dowden could not relate to the Parthenon Marbles says more about Dowden than it does about these peerless sculptures. He should consider himself lucky to have had a private tutorial from Dr Fischer. Perhaps Fischer could oblige with personal tutorials for everyone and spend less time spouting truisms about the ‘creative act’ that separates these figures from their peers in Athens and which is nothing more than self-justifying piffle. It is not a creative act to have them apart, it is the opposite, and two hundred years of separation is enough. They have done their job by now, of inspiring the Western world and should go home, where context will give them what is sadly lacking in the grey of Bloomsbury."

To read  the Ta Nea article on line, please visit https://www.tanea.gr/print/2021/03/29/lifearts/voles-gia-ta-glypta-apo-ellada-vretania-kai-aystralia/

Ta Nea 29 March 2021 coverTa Nea middle spead

 


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In feeling a profound connection to Greece - her landscapes, her history and her culture - I am hardly alone: there is something of her essence in us all. As the wellspring of Western civilization, Greece’s spirit runs through our societies and our democracies. Without her, our laws, our art, our way of life, would never have flourished as they have.

HRH The Prince of Wales at the Greece Bicentenary Dinner, Presidential Mansion in Athens

Today, 25 March 2020, Greece celebrates 200 years of independence.

Photos and videos from all around the world showed iconic building and emblems lit up by white and blue, the logo of #Greece2021. The highlight for many, was being able to follow on line the celebrations that took place in Athens.

HRH The Prince of Wales flew out to Athens last night, Wednesday 24 March and attended a dinner at the Presidential residence with Her Excellency, Katerina Sakellaropoulou and Greece's Primie Minister, Kyriakos Mitsotakis and other dignitaries. The Prince of Wales was in Greece as the official representative for the UK and spoke of his love of Greece. His speech can be read in full here.

The Evening Standard and other media outlets covered the Prince of Wales' Athens visit. The Evening Stard article has a video of HRH The Prince of Wales delivering his speech.

His final words were:

"The ties between us are strong and vital, and make a profound difference to our shared prosperity and security. Just as our histories are closely bound together, so too are our futures. In this spirit, tomorrow, stood beside you once again, your British friends will take great pride in Dionýsios Solomós’s rousing exhortation:

Χαίρε, ω χαίρε, ελευθεριά

[Hail, O Hail Liberty].

Ζήτω η Ελλάς!

[Long live Greece].

In London, the Embassy of Greece celebrates the anniversary of  the 200 years after the Greek revolution of independence with a live  audio-visual event. To watch this event, please visit  You Tube. Both Victorial Hislop and Professor Paul Cartledge spoke at the Embassy of Greece's on line event, as did Stephen Fry, pledging in his congratulatory message to Greece, his continued support for the reunification of the Parthenon Marbles. 

collage embassy event

 


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