General Director of the Acropolis Museum Nikolaos Stampolidis

  • BCRPM warmly welcomes Professor Nikos Stampolidis, the very eminent archaeologist and previous director of the Museum of Cycladic Art, on his appointment as General Director of the Acropolis Museum, working with the President, the well respected Professor Pandermalis. This statement appeared in To Vima:

    Nikos Stampolidis acknowledges the challenges he has to face with regards to the continued division of the sculptures from the Parthenon and adds: "The Parthenon is a global symbol. It is the material imprint of the classical world from where Western civilization came, we would say the home of all the states of Europe, of all humanity. (…) Is it not the body of a divine communion from which everyone should partake? It is a whole born in a specific time, space and environment, under a specific light. And all people under this light and the air and the environment should visit the Parthenon and be baptized again in their roots."

    To view the original article in To Vima, follow the link here and to read the letter sent to Professor Nikos Stampolidis from BCRPM, see the attached.

     

  • On 13 June 2018, Vice-Chair of BCRPM, Professor Paul Cartledge wrote in the Frieze. It was at that time that the then leader of the Labour Party, Jeremy Corbyn had also announced his support for the reunification of the Parthenon Marbles in Greek newspaper, Ta Nea.

    Paul Cartledge writes: 'The 5th-century BC artefacts were brought to London by Lord Elgin at the beginning of the 19th century, having apparently secured permission from the ruler of the Ottoman Empire, which occupied Greece at that time. They have been housed at the British Museum from 1816, and the Greek government has regularly lobbied for their return. Corbyn told the Greek paper: ‘As with anything stolen or taken from occupied or colonial possession – including artefacts looted from other countries in the past – we should be engaged in constructive talks with the Greek government about returning the sculptures.’ To read the full article in Frieze, follow the link here.

    Support from Labour MP's saw two prominent Ministers at the heart of BCRPM's capaigns in the 90's and beyond, namely Christopher Price and Eddie O'Hara, respectively Vice-Chair and Chair of this committee. Support has always been there yet Tony Blair's government didn't do anything and tragically, there was no support from Gordon Brown.

    Jeremy Corbyn was and continues to be supportive. And what of Sir Kier Starmer? 

    Jo_Stevens.jpg

    Labour Shadow Secretary of State for Wales, Jo Stevens spoke about the sculptures alongside a panel hosted by the BBC on Politics Live. This was  post Greek Prime Minister, Kyriakos Mitsotakis' London visit and meeting with UK Prime Minister, Boris Johnson.

    Catherine_West.jpg

    Labour MP for Hornsey & Wood Green and Shadow Foreign Minister (Europe & Americas), Catherine West also interviewed by Ta Nea on Thursday 02 December, was quoted as urging Prime Minister Boris Johnson to bring the matter of these sculptures to the House Commons. Catherine West feels that all MP's deserve to know the full story and have an open discussion.  

    In today's Ta Nea, UK Correspondent Yannis Andritsopoulos has once again interviewed Jeremy Corbyn, a firm supporter for the reunification of the Parthenon Marbles. Jeremy Corbyn hopes that Labour leader, Keir Starmer will also add his support.

    “My position has always been that the Parthenon Marbles should be returned to Greece." Despite being a 'wonderful, beautiful' collection of sculptures, Jeremy Corbyn insists that the Parthenon Marbles do not belong in the British Museum and he hopes that the Labour Party will decide to defend this view.

    “Boris Johnson may well be a classicist. He may well love Greece. I love Greece too." Adds Corbyn, and goes on to say that this love of Greece is not the justifucation for keeping the sculptures divided. He continues: "Let's be grown up about this.The idea that it's okay to forcibly remove things is wrong. Cultural artefacts are there for all, but they really belong in the place that they were made and developed in the first place.”

    Chair of BCRPM, Janet Suzman stands by the release issued in 2018 where she concludes: “Nothing will change in relation to the Parthenon marbles until and unless there is a meeting of minds at head of state level between Greece and Britain.” A sentiment that also formed the Decision made at the 22nd session of UNESCO's ICPRCP meeting 27-29 September 2021. 

     

    RECOMMENDATION 22.COM 6

    The Committee,

    Recalling that the issue of the Parthenon Sculptures has been a pending item in the Committee’s Agenda since 1984,

    Acknowledging relevant UNESCO recommendations expressing its continuing concern for a solution to the issue of the Parthenon Sculptures,Recalling that the Acropolis of Athens is an emblematic monument of outstanding universal value, inscribed in the World Heritage List,

    1.Acknowledges the ongoing cooperation between Greece and the United Kingdom on cultural matters and expressesthe wish that it should continue with a view to conclude the ongoing discussions in respect of the reunification of the Parthenon Sculptures;

    2.Notesthat Greece invites the United Kingdom to collaborate with Greece in exhibiting all the Parthenon Sculptures in their respective collections in the Acropolis Museum;

    3.Takes noteof the Acropolis Museum’s invitation to the British Museum in order to advance further collaboration on Parthenon studies; which the British Museum warmly accepted;

    4.Also takes noteof the good progress made by the Acropolis Museum and the British Museum in the collaborative programme of digital scanning of the sculptures of the Parthenon in both museums;

    5.Further acknowledges that an official letter was sent in August 2013 by UNESCO to the United Kingdom government and the British Museum, inviting them to explore the possibility of the United Kingdom agreeing to the procedure foreseen in the Rules of Procedure for Mediation and Conciliation within the framework of the ICPRCP;

    6.Thoughtfully takes note of the fact that, in March 2015, the United Kingdom government and the Trustees of the British Museum informed UNESCO in separate letters respectively that they did not believe that the application of the mediation procedure would substantially carry forward the debate and that they had decided respectfully to decline the request;

    7.Thoughtfully takes note that, following the Committee’s Recommendation 21.COM 7, Greece sent to the United Kingdom an invitation to a bilateral expert meeting in Athens which was not accepted by the United Kingdom;

    8.Expresses concern that the Duveen Gallery of the British Museum is not currently open to the public, due to essential repairs and looks forward to its reopening in due course;

    9.Calls upon Greece and the United Kingdom to intensify their efforts with a view to reaching a satisfactory settlement of this long-standing issue, taking into account its historical, cultural, legal and ethical dimension;


    10.Invites the Director-General to assist in convening the necessary meetings between Greece and the United Kingdom with the aim of reaching a mutually acceptable solution to the issue of the Parthenon Sculptures.

    DECISION 22.COM 61

    The Committee,

    1.Recalling Article 4, paragraphs 1 and 2 of its Statutes,

    2.Noting that the request for the Return of the Parthenon Sculptures is inscribed in its Agenda since 1984,

    3.Recalling its 16 Recommendations on the matter,

    4.Recalling further that the Parthenon is an emblematic monument of outstanding universal value inscribed on the World Heritage List,

    5.Aware of the legitimate and rightful demand of Greece,

    6.Acknowledging that Greece requested the United Kingdom in 2013 to enter into mediation in accordance to the UNESCO Rules of Procedure for Mediation and Conciliation,

    7.Recognizing that the case has an intergovernmental character and, therefore, the obligation to return the Parthenon Sculptures lies squarely on the United Kingdom Government,

    8.Expresses its deep concern that the issue still remains pending;

    9.Expresses further, its disappointment that its respective recommendations have not been observed by the United Kingdom;

    10.Expresses its strong conviction that States involved with return or restitution cases brought before the ICPRCP should make use of the UNESCO Mediation and Conciliation Procedures with a view to their resolution;

    11.Calls on the United Kingdom to reconsider its standand proceed to a bona fide dialogue with Greece on the matter

    George Didaskalou Nikos Stampolodis and Artemis for ICPRCP 28 Sept 

    The presentation by Greece at UNESCO's ICPRCP 22nd Session took place on Wednesday the 28th of September 2021. Greece was represented by the Ministry of Culture by the Secretary General of Culture George Didaskalou, the new General Director of the Acropolis Museum Nikolaos Stampolidis, the Head of the Directorate of Documentation and Protection of Cultural Heritage, and Legal Adviser of the Special Legal Service of the Ministry of Foreign Affairs, Artemis Papathanassiou (all pictured above). For the first time, apart from the recommendation, a decision with stronger wording was also agreed.

  • Professor Dimitrios Pandermalis (1940-2022)

     Pandermalis

    On 14 September 2022, the Acropolis Museum lost a loved one: Dimitrios Pandermalis, Emeritus Professor of Classical Archeology at the Aristotle University of Thessaloniki. His greatest contribution was the creation of the Acropolis Museum, serving as Chairman of the Board of Directors of the New Acropolis Museum Construction Organization from 2000 to 2019 and as Chairman of the Board of Directors of the Acropolis Museum from 2009 to 2022.

    The Acropolis Museum contains not only the beauty of the ancient Greek world but also the soul of its creator and we will always remember him with love and gratitude. The Museum held a 40-day memorial service at the Holy Church of Agios Georgios and Agioi Anargyros Makrygianni and on the same day an olive tree was planted in memory of its late President, which welcomes visitors at the entrance of the Museum on Mitsaion Street.

    The Museum's Board of Directors named the Amphitheater after its late President and instituted the "Dimitrios Pandermalis" Classical Archaeology Scholarship Programme. For the anniversary of the Acropolis Museum, on Tuesday, June 20, 2023, the Youth Orchestra of Dion will offer visitors a free musical tribute to Greek poetry set to music, respectively dedicated to the memory of Prof. Dimitrios Pandermalis.

    Artistic events and collaborations

    Over the last two years, the Museum has offered its visitors a multitude of artistic events and experiences:

    • Dance performances in the exhibition spaces in collaboration with the National Opera (MicroDances Athens, 9-10 October 2021).

    • A musical evening for International Women's Day in the Parthenon Hall with the theme "The strange goddesses of the Parthenon" and a presentation of the work of poets of antiquity, with music by Lena Platonos and interpretation by Maria Faradouri, a collaboration with the Marianna V. Vardinogianni Foundation (08 March 2022).

    • Musical events in the forecourt of the Museum with the participation of well-known performers, such as Natasa Bofiliou, in the context of the 1st Worship Music Festival, a collaboration with the Ministry of Culture & Sports and the National Opera (18-20 April 2022).

    • Rachmaninoff Tribute in the Parthenon Hall, as part of the "Chamber Music in Museums" programme, in collaboration with the Athens State Orchestra (31 March 2023).

    The Museum started a new collaboration with the Development and Tourism Promotion Company of the Municipality of Athens with its participation in the Athens City Festival, where it organized two tasting evenings in the restaurant combined with a guided tour of the exhibits related to ancient nutrition (12 May 2022 and 4 May 2023) and two jazz concerts on the restaurant terrace (16 May 2022 and 22 May 2023).

    On the August Full Moon, the Museum offered its visitors an evening of Greek songs about the moon and film music by the Air Force Band (12 August 2022). During the festive season of Christmas, the Museum presented carols by the Children's Choir of the National Opera (22 December 2022) and the Women's Vocal Ensemble CHORES (28 December 2022), two events were held in collaboration with the National Opera. It also hosted the famous Wind Orchestra of the Music School of Ilium (19 December 2021) and, for traditional dances, the Rethymno Coat Dressers' Club of Crete (23 December 2021) and the Episcopal Club of Naoussa, Imathia Prefecture (30 December 2022).

    Original thematic presentations

    The Museum continues to offer free weekly themed presentations by its archaeologists, giving visitors the opportunity to discover interesting, often unknown, aspects of the ancient world. On the occasion of the action "Periodic or unexpected visitors" with works from Canada and the USA, the presentations "A celebration for Athena. The procession and games of the Great Panathenaians" (24 June 2022 - 21 April 2023) and "The world of work in ancient Athens" (05 February 2023 - 30 July 2023). In the presentation "Hidden Histories of Dispersion" (22 May 2022 - 29 January 2023), visitors discovered the adventures of smaller fragments of the Parthenon's sculptural decoration, beyond the sculptures found in the British Museum, but also of other Acropolis antiquities that are now scattered in other European museums.

    At the same time, the themed "Saturday at the Museum with 20+1 masterpieces" continues until today, a special walk through the exhibition spaces that introduces visitors to ancient Greek art through myths and legends, beliefs and traditions, historical landmarks and human stories. During the summer months, the presentation "Walking in the ancient neighborhood of the Acropolis Museum", a fascinating journey through time, history and the daily life of the people who lived in the shadow of the Acropolis rock for more than 4,500 years, is offered. Visitors had the opportunity to attend this theme on 27-28 May 2023, in two extraordinary presentations as part of the pan-Hellenic anniversary event "Green Cultural Routes" organized by the Ministry of Culture and Sports.

    Programmes for special audience groups

    Responding to its role as a cultural organization at the service of society as a whole, the Museum implements actions and programs aimed at special groups of visitors, contributing to their social inclusion and reintegration. The Museum included in its activities regular programmes aimed at refugees and immigrants, encouraging their acquaintance and familiarization with the history and culture of the country that hosts them. At the same time, expanded cooperation with the Detention Centers of the country, offering online tours to groups of students of the second chance schools of the prisons, while carrying out programmes for special schools, structures for the treatment of the mentally ill and rehabilitation centers for people with addiction. In addition, collaboration with the Special Secretariat for the Protection of Unaccompanied Minors and the trainers of the Hospitality Structures for the planning and implementation of the inclusive action for unaccompanied minor refugees on the theme "Arts, craftsmen and professions in ancient Athens", which began in May 2023.

    Schools

    During the period June 2021 - June 2023, the Museum was visited by 139,740 schoolchildren from Greece and 92,802 schoolchildren from abroad. Many of them attended one of the 6 educational programmes offered by the Department of Educational Programmes. These programs are aimed at all levels of education, include attractive itineraries and are designed with modern museum-pedagogical concepts and an experiential approach. In addition, the Department offered another activity entitled "The 6th Grader at the Acropolis Museum" in collaboration with AMKE Aegea. For better communication between the Museum and schools, 2 seminars were organized for teachers of all levels of education entitled "Planning the visit to the Acropolis Museum" (25 November2022 and 09 December2022). For schools that are unable to visit the Museum, the Department of Educational Programmes recently created the "Museum in the School" programme, where schools can choose from 5 online programmes presented live by the Museum's archaeologists.

    Particularly successful was the educational activity "Ironing at the Acropolis Museum", a collaboration with the neighboring 70th Primary School of Athens. On 25 November  2022, the students of the 4th grade gathered in the gardens of the Museum where the archaeologists spoke to them about the importance of the olive and its oil in ancient Athens. the agronomist gave the students important information about harvesting, and the children enthusiastically picked the olives from the olive trees of the Museum. Then, with the help of the educational materials provided by the Department of Educational Programmes, they prepared in the classroom, and took on the role of tour guides to presented to their parents those exhibits of the Museum that tell stories about the olive and the oil in ancient Athens (12 March and 02 April 2023).

    Families

    The Museum offered families with children a series of imaginative programmes. On the occasion of the theme "The Power of Museums" during International Museum Day 2022 (18 May 2022), digital applications for children and adults were presented in the Museum premises. On the occasion of the theme "Sustainable Heritage" during the European Days of Cultural Heritage, visitors watched the programme "In the houses of the ancients... without television and internet" (24-25 September 2022) at the Museum's archaeological excavation. During the festive season of Christmas, families participated in the programmes "Audio-narratives of strange divine births" (29 December 2021 - 30 December 2021) and "Goblin... confusions" (28 December 2022 - 05 January 2023), which continues with success until today with the "Strange Creatures at the Museum" programme. The above celebratory activities are carried out in collaboration with the Information and Education Department of the YSMA, which in addition carries out 3 school programmes at the Museum,  including 2 seminars for teachers, and participated in the activity "The 6th Grade at the Acropolis Museum" in collaboration with AMKE Aegean.

    Periodic reports

    From 20 December 2022 until 02 April 2023, the Museum presented in the Hall of Periodical Exhibitions the exhibition entitled "Clothes of the Soul", with 70 emblematic works of the photographer Vangelis Kyris and the exponent of the art of embroidery Anatoly Georgiev. The exhibition, held under the auspices of A.E. of the President of the Republic Katerina Sakellaropoulou, was held with the kind support of the Marianna V. Vardinogianni Foundation and the cooperation of the National History Museum.

    web page pho exhibition of costumes Dec 2022

    From 24 May 2023 through 04 June 2023, the Museum hosted the exhibition "A More Perfect Union: American Artists and the Currents of Our Time" organized by the US Embassy. in Athens in collaboration with the Art in Embassies programme of the U.S. State Department, under the auspices of the Ministry of Culture and Sports. The exhibition focused on issues of equality and freedom, with artworks by the most well-known contemporary American artists, including Bruce Nauman, Yoko Ono, Christine Sun Kim, Edward Ruscha and Carrie Mae Weems.

    Unexpected visitors to the Museum

    As part of the series of exhibition activities "Periodic or unexpected visitors", the Museum presented to the public works from other museums together with or independently of its exhibits. From 20 June 2022 to 23 April 2023, it hosted two fine art vases from the Royal Ontario Museum, Canada. These are two Panathenaic amphorae, the vessels that were filled with oil, and used to award prizes to the winners of the games of the Great Panathenaic festival. Their exhibition in the Parthenon hall gave them the opportunity to "converse" with the masterful frieze of the great temple, in which Phidias and his collaborators masterfully carved the Panathenaic procession of this Athenian celebration. As part of this exhibition, the Museum presented on 29 June 2022 a lecture by the Director of the Royal Ontario Museum (ROM), Mr. Josh Basseches, on the theme of transforming the museum experience at the ROM in the 21st century.

    Ontario amphorae

    Ontario amphorae 2

    On 05 February, 2023, it welcomed three Attic pottery vessels from the Museum of Fine Arts, Boston, USA, with performances by artisans and professionals, which were placed in the new exhibition section "Officials and Professionals", in the Hall of the Ancient Acropolis, offering visitors a more complete picture of the of working people in ancient Athens. For "International Women's Day", he presented a work - a hymn to female beauty, "Venus in the Golden Bikini", a small statue depicting the goddess in stunning jewelry and a golden garment reminiscent of a "bikini". The work traveled from the National Archaeological Museum of Naples and was presented on the ground floor of the Museum from 08 March to 28 May 2023.

    Documentation of archaeological collections

    The Department of Archaeological Collections continues the documentation of the collections with research, new entries, explanations of terms (glossary), bibliographic references, photographs, and drawings of the 1,112 objects that are to be presented in the on-site exhibition of the Archaeological Excavation as well as for works of the Acropolis that are kept in archaeological warehouses. The documentation and posting on the website of the 63 copies of the sculptural decorations of the Parthenon that are in the British Museum, as well as other Museums, is complete, and currently preparation is underway to post the excavation objects as well. The purpose of posting on the website, in which 2,245 projects are currently registered, is to provide the general public with free access to the information on these artefacts. At the same time, the Museum published on its website the upgraded version of the online application www.parthenonfrieze.gr, with photos and descriptions of all the surviving stones of the frieze located in the Acropolis Museum and abroad. The upgrade of the application was carried out thanks to the excellent cooperation of the Museum with the Acropolis Monuments Maintenance Service, alongside the National Center for Documentation and Electronic Content-EKT.

    Maintenance of exhibits

    The Conservation and Casting Department completed the conservation or re-conservation work of 322 objects (sculptures, ceramics, metal and bone), with the main one being the conservation and change of the display method of the Kouros Akr statue. 596. Also, the cleaning programme with laser technology was completed, 3D scanning of exhibits was carried out and cleaning and maintenance work carried out in the excavation (floors, mosaics, frescoes and mortars). At the same time, the Department proceeded with the production of approximately 4,204 faithful replicas of Museum exhibits and scale replicas, and the application of high-precision patina with painted details to some of them. This production is made with the aim of making the copies available exclusively at the Museum's sales offices.

    Renewal of the permanent exhibition

    The continuous enrichment, and renewal of the permanent exhibition is for the Acropolis Museum is an important part of the museum's practice. For this reason, a series of corrective actions, mainly in the Hall of the Archaic Acropolis, are carried out in order to divide the exhibits into their thematic sections in a rational fashion. At the entrance of the renovated hall, the visitor is greeted by the two sphinxes of the Acropolis and immediately after the Musketeer. The concentration of the archaic architectural sculptures, the Maidens and the male statues in distinct sections - allows a better intake of the museum narrative and enhances the visitor's experience.

    The new exhibition section "Officials and Professionals" was also created, enabling the visitor to see with a different eye, not only the aesthetic beauty of the statues, but also the works of art, the people and the societies that produced them. At the same time, the exhibition was enriched with new works. In the Hall of the Archaic Acropolis, Kouros Akr was repositioned. 596, after the re-conservation and alignment of the trunk with the base, and the base of the laundromat of Plyntria Smikynthes (Akr. 607), the column of Simon the Gnapheus (Akr. 429) and the column with the statue of the Maiden ( Acc. 6503). The head of Homer (EAM 626), the head attributed to the orator Dexippus (EAM 581) and the architectural member with the relief symbols of Athena (Akr. 2444) were added to the north wing of the first floor. In addition, the Museum proceeded to change the lighting in the exhibition spaces of the first and third floors, creating better viewing conditions and highlighting charming details of the exhibits.

    Σμικύνθης Ακρ. 607

    the base of the laundromat of Plyntria Smikynthes (Akr. 607),

    Korres Aκρ. 6503

    the column with the statue of the Maiden ( Acc. 6503)

    EΑΜ 581

    the orator Dexippus (EAM 581)

    ΕΑΜ 626

    The head of Homer (EAM 626)

     

     

    LIGHTING

    Reunification of the Parthenon's architectural sculptures

    On 29 September 2021, a UNESCO Decision was made for the first time after 38 years of recommendations, recognizing the intergovernmental nature of the Greek request for the reunification of the Parthenon architectural sculptures. On 03 January 2022, the National Archaeological Museum returned to the Acropolis Museum ten fragments of the sculptural decoration of the Parthenon. On 10 January 2022, the "Fagan fragment" was returned from the A. Salinas Museum in Palermo. On 02 May 2022, UNESCO unanimously ratified the September 2021 Decision. On 29 May 2022, a nulla osta was issued by the Italian Ministry of Culture for the "Fagan Fragment" to leave Italy forever, as it had already been accepted by the Sicilian Authorities. On 04 June 2022, the definitive reunification of the "Fagan fragment" took place on the east frieze of the Parthenon at the Acropolis Museum.

    fagan fragment in situ

    Fagan fragment Pandermalis Spampolidis Mitsotakis Mendoni and Salinas Director

    fagan fragment from Sicily

    This action paved the way for the final return of three fragments of the sculptural decoration of the Parthenon from the Vatican Museums, thanks to the decision of Pope Francis on 16 December 2022 to donate them to the Archbishop of Athens. On 07 March 2023, in the halls of the Musei Vaticani, the text of the agreement was signed between the representative of the Pope, Cardinal Fernando Vérgez Alzaga, the representative of the Archbishop of Athens and All Greece, Father Emmanuel Papamikroulis and the Minister of Culture and Sports Dr Lina Mendoni. On the same day, the Protocol of Delivery and Receipt of the three fragments was signed by Archbishop Hieronymos II and the General Director of the Acropolis Museum, Prof. Nikolaos Chr. Stampolidis. The fragments arrived in Athens on 10 March 2023 and were reunited with the Museum's exhibit on 24 March 24 2023.

    07 March signing at Vatican

    Vatican fragments being set

    Vatican fragments in situ

    Finally, on the occasion of the General Assembly of the International Association for the Reunification of the Parthenon Sculptures held at the Acropolis Museum on 15 September 2022, the Museum in collaboration with the Ministry of Culture, organised the international conference on "Parthenon and Democracy". Distinguished representatives of the international Committees for the Reunification of the Parthenon Sculptures participated.

    Professor Paul Cartledge as Vice-Chair of IARPS and BCRPM, delivered at this Conference on 16 September 2022, in the Pandremalis Auditorium of the Acropolis Museum, his presentatioon, which was aptly entitled: ‘Just how democratic (in what ways, to what extent) was the (original) Parthenon?

    Paul Cartledge at IARPS conference 2022

     

    Museum attendance

    This two-year period was extremely important, as the operation of the Museum proceeded without interruption, taking into account the limitations created by the relevant health protocols. The total number of visitors to the Museum were as follows: 2nd Semester of 2021 there were 483,445 visitors, 1st Semester 2022 there were 567,951 visitors, 2nd Semester 2022  there were 884,583 visitors, 1st Semester 2023 there were 831,987 visitors.

  • From 27-29 September, the 22nd session of the ICPRCP, UNESCO's Intergovernmental Committee for Promoting the Return of Cultural Property to its Countries of Origin or its Restitution in case of Illicit Appropriation, took place in Paris.

    The ICPRCP advisory body facilitates bilateral negotiations and offers mediator services to states concerning the return and restitution of cultural property.

    To watch the proceeding of the three days, visit: http://webcast.unesco.org/events/2021-09-22ICPRCP/ 

    The presentation by Greece took place on Wednesday the 28th of September. Greece was represented by the Ministry of Culture by the Secretary General of Culture George Didaskalou, the new General Director of the Acropolis Museum Nikolaos Stampolidis, the Head of the Directorate of Documentation and Protection of Cultural Heritage and Legal Adviser of the Special Legal Service of the Ministry of Foreign Affairs, Artemis Papathanassiou. For the first time, apart from the recommendation, a decision with stronger wording was also agreed.

    George Didaskalou Nikos Stampolodis and Artemis for ICPRCP 28 Sept

    Greece's Minister of Culture and Sports Lina Mendoni, made the following statement:

    "Greece's request for the return of the Parthenon Sculptures to Athens has been on the agenda of UNESCO Intergovernmental Committees on the Return of Cultural Property to the Countries of Origin (ICPRCP) since 1984, when it was first introduced by Melina Mercouri and remains there again today, 30 September 2021.

    At the 22nd session of the ICPRCP, which ended on the 29th of September evening, the Committee issued (due to the countless efforts of Greece and the invaluable support of Zambia, Egypt, and other countries-members of the ICPRCP) for the first time, a Decision concerning specially the issue of the return of the Parthenon Sculptures. The Committee urges , through the Decision, the United Kingdom to reconsider its position and to negotiate with Greece, in bona fide, acknowledging that the matter is intergovernmental - contrary to the British side's claim that the case concerns exclusively the Trustees of the British Museum - and that Greece is claiming rightly and legally the Return of the Sculptures. The new Decision, is a very important development in the recognition of the legality and intergovernmental character of Greece’s just claim.

    I would like to thank from the bottom of my heart the members of the Greek delegation, as well as our Permanent Representation to UNESCO for their diligent commitment to the return of the Sculptures. All worked rigorously and consistently to achieve this extremely positive result.”

    mendoni with museums

     

    The UK's prsentation during the meeting upheld the BM's position with the same old and tired arguments for the continued retention of the fragmented sculptures from the Parthenon in Room 18. Nonetheless, there was a consensus among member nations that this cultural dispute deserved after all this time, to be resolved through the faciliation of the ICPRCP. 

    BCRPM in supporting Greece and nations across the globe, which have all recognised the significance of this peerless collection of sculptures and the exceptional top floor Parthenon Gallery in the Acropolis Museum, applaud these ICPRCP recommendations and the new decision. We are all looking forward to dialogue. It is our collective respect for the Parthenon, which deserves to be the catalyst for change, starting with honest talks to resolve the long awaited reunification of the Parthenon Marbles. The time is now.

    The added value of this year's ICPRCP new decision as summed up in eKathimerini, reads as follows:

    The decision of the 22nd session of the ICPRCP's Commission expresses its strong dissatisfaction with the fact that the issue remains unresolved due to the United Kingdom's stance. In addition, it urges the United Kingdom to reconsider its position and enter into a bona fide dialogue with Greece, emphasizing the intergovernmental nature of the dispute.

    This decision was the result of the tireless efforts of the Ministry of Foreign Affairs together with the Ministry of Culture.

    Accordingly, the text of this year's Recommendation reflects, inter alia, the Commission's concern that the Duveen Gallery at the British Museum, where half of the surviving Parthenon Sculptures are on display, is closed to the public due to the necessary restoration work.

© 2022 British Committee for the Reunification of the Parthenon Marbles. All Rights Reserved.