TA NEA 20 November 2021

Kyriakos Mitsotakis’ meeting with the British Prime Minister, brought the reunification of the Parthenon Sculptures back onto the world stage. Boris Johnson's response was limited to the long-established rote, that this is a matter for the British Museum, and despite UNESCO’s recent decision that the issue should be discussed between two nations: Greece and the UK. The British Prime Minister's answer has been used before, and has become a standard reply.

The British Museum is not a state museum. However, it is generously subsidized by the state. And, of course, it is subject to British law. According to the current law (1963), its Trustees are not entitled to consent to the removal of the Sculptures. However, this does not mean that the British Government is not entitled, if the will is there, to amend this law.

Elgin was an opportunist and used illegal and illegitimate means to fircibly remove and export the Sculptures from Greece for his own purposes, to decorate his ancestral home. This is a blatant act of theft, accompanied by unprecedented vandalism, which caused incalculable damage to the monument, in addition to the physical damage and aesthetic integrity.

Elgin, acted as a looter, when he went on to sell the Sculptures to the British government, which in turn placed them in the British Museum. The British government , knowingly, accepted products of theft, ignoring the scandal that erupted in public opinion at that time, the strong objections and protests of prominent figures in Britain and Europe. The historical data of the Ottoman rule proves that there was no legal acquisition of the Sculptures by Elgin and, consequently, not by the British Museum also.

The struggle of Greece for the repatriation of the Sculptures began almost immediately after the establishment of the Greek State. It became international in the 80’s with Melina Mercouri’s passionate, official request, made to both the British Museum and UNESCO.

Our position has been from the outset and remains national, unanimous, unchanging, and clear. The violent and destructive forced removal of the Sculptures from the Parthenon and their subsequent division from their natural and conceptual environment is contrary to the current laws, the common sense of justice and the morals of the time, which took place, are still evident. Today, it is also still contrary to national and international law, international agreements, and conventions, as well as to commonly accepted principles and concepts for the protection and management of cultural heritage.

The Greek State does not recognize the British Museum’s right of ownership, and possession of the Sculptures. On the contrary, it is constitutionally and morally obliged to claim and pursue by any  appropriate means their final, permanent return, in order to restore the law and moral order, and above all to restore the integrity of the monument.

Our claim for the reunification of the Sculptures has in addition a broader and universal cultural dimension. Unlike other looted monuments, the Parthenon Sculptures are integral parts of a complex architecture and artistic creation, constituting a single and indivisible natural, aesthetic, and conceptual entity. At the same time, the Parthenon is in direct relationship and relevance to the buildings that surround it and, which, constitute an inseparable unity, which is determined and highlighted by the natural landscape of the Acropolis. This unity has a specific ideological and conceptual background, while it conveys specific messages and symbolisms.

Perpetuating the breakdown of the integrity of the Parthenon, with its universal symbolic value and unifying power, is a constant moral and cultural crime. For this reason, the Greek request was not limited to a national context. It acquired an international dimension. It has emerged as a universal, urgent, and always timely demand of civil society everywhere. On a symbolic level it has become synonymous with the international demand for universal respect for and defense of the common cultural heritage of humanity.

On the other hand, the British Museum, and those behind it, remains attached to colonial origins, starting from a basic component of their character and mentality, the competitive collection and demonstration of all kinds of "acquisitions" and "trophies".

The Greek State, at the highest level, has declared its intention to remedy the void that the return of the Sculptures will create in the British Museum, offering temporary exhibitions of outstanding antiquities. At the same time, however, it assures the British side that as long as it persists in its refusal, Greece will continue to intensify the pressure internationally, until it becomes unbearable, and the British are forced to reconsider their stance.

Dr Lina Mendoni
Minister for Culture and Sports

To read the original article in Greek, visit Ta Neaand we've added a link to a pdf of that page.

British Museum’s Parthenon gallery 10-month closure prompts concerns from Greek officials and campaigners

Βy Yannis Andritsopoulos, London Correspondent for the Greek daily newspaper Ta Nea, 09 October 2021 

To read the original article, follow the link here.

Six of the British Museum’s Greek galleries, including the museum’s display of the Parthenon Marbles, have been closed for almost ten months, prompting concerns from Greek officials and campaigners that wet and damp could damage the ancient artworks.

The museum was forced to close on 16 December 2020 when a national Covid-19 lockdown was put in place. It reopened on 17 May 2021, but some of its Greek galleries remained closed due to ‘essential repairs’.

Ta Nea Greek daily newspaper visited the museum last week and confirmed that a total of six galleries of Greek art have yet to reopen; Rooms 15, 16, 17 and 18 are closed due to "maintenance"; Rooms 19 and 20 are closed to "comply with social distancing measures".

The Duveen Gallery (Room 18) which houses the Parthenon Sculptures, has been closed since December 2020.

Its leaky roof has made news many times before.

In December 2018, the glass roof of Room 18 began leaking after heavy rainfall in London. Witnesses reported seeing water dripping just centimetres away from the west pediment figure of Iris. More recently, leaks were caused by a heavy rainfall on July 25th that flooded central London.

The Greek government as well as campaigners for the reunification of the Parthenon Marbles have expressed concern about the poor state of the rooms.

On August 15, the International Association for the Reunification of the Parthenon Sculptures (IARPS), which represents 21 national committees around the world, wrote to the British Museum Chairman Sir Richard Lambert, its Director Dr. Hartwig Fischer and its Trustees. To read the letter, follow the link here.

A copy of the letter was also sent to Prime Minister Johnson, the newly appointed Chair of the Trustees, George Osborne and the then Secretary of Culture, Oliver Dowden.

It said that “the planned reopening of the Greek rooms, postponed ‘until further notice’, after months of lockdown, is a deep worry,” adding that the “possible humidity problem (creates) a dangerous condition for the sculptures”.

It also called on the Museum to "reconsider its viewpoint on the continued division of the Parthenon Sculptures", noting that “there is a moral obligation to return and to reunify all the surviving Parthenon Sculptures in the Acropolis Museum with a direct visual contact to the Parthenon”.

"It is saddening that Room 18 has been closed ‘until further notice’," IARPS President Dr Christiane Tytgat told Ta Nea, adding that "the inappropriate climate conditions in the room are upsetting".

"I hope," she said, " that we do not have to wait another 22 years before we can admire the Parthenon Sculptures on display in London again, as it happened before, when the Duveen Gallery was hit by a bomb in 1940 and reopened only in 1962! Even if the Sculptures were then stored in a safe place and undamaged."

Almost two months later, the Museum has not responded to the letter, which Dr. Tytgat described as "sad."

Dame Janet Suzman, Chair of the British Committee for the Reunification of the Parthenon Marbles (BCRPM), told Ta Nea: “I would be a happy person if Room 18 were permanently closed because those spectacular sculptures taken by the marauding Lord Elgin deserve to be reunited in the Acropolis Museum. No one can say for certain what remedial work is being done in the Greek galleries of the British Museum or for how long. The lack of climate controls in an old building are self-evident and has been questioned by BCRPM on other occasions: blow-heaters in winter, open exit doors in summer, leaking roof during the rainy season.”

“We urge the British Museum to stop repeating by rote the same mantra and to reunite those emblematic marble figures in the superlative Acropolis Museum, which has been built to the latest standards and allows visitors to view them in context with the Parthenon,” she added.

Professor Paul Cartledge, Vice-Chair of the BCRPM and Vice-President of the IARPS, told Ta Nea that he has found “the Trustees' failure to respond at all to the letter deeply disappointing - not at all the way to begin dialogueon this pressing cultural issue in a way fitting of its importance. Dismissing this very specific request is tantamount to not understanding the importance of cultural diplomacy. Time for the British Museum and the UK to join the 21st century, although it would have been good and great if they were to lead the way.”

Closed ‘until further notice’.

The website of the British Museum states that the Greek galleries are "closed until further notice", due to "regular maintenance works".

UNESCO recently expressed “concern that the Duveen Gallery of the British Museum is not currently open to the public due to essential repairs”, adding that it “looks forward to its reopening in due course.”

In his interview with Ta Nea, in January 2019, the director of the Museum, Dr. Hartwig Fischer, claimed that there was "a tiny leak" (in Room 18’s roof) which was “fixed right away ".

Lina Mendoni, Greece’s Culture minister has said that the conditions for exhibiting the Parthenon Sculptures at the British Museum “are not only inappropriate, but also dangerous”.

A British Museum spokesperson told Ta Nea that “there has previously been some water ingress in some gallery spaces closure”, adding that “there is no confirmed date for their reopening, but we are working towards later this autumn.”

The British Museum’s comment to Ta Nea in full:

“The Museum is an historic and listed building and there are ongoing infrastructure assessments across the site. We have a team of specialists who make regular checks across the Museum to monitor and ensure appropriate management of risks to the collection. The care of the collection and the safety of our visitors and staff are our utmost priority.

“The essential works being undertaken are part of a programme of building maintenance and conservation which will help enable future works on the Museum estate. Alongside these essential repairs, we are developing a strategic masterplan to transform the British Museum for the future. It will involve actively renovating our historic buildings and estate, improving our visitor experience and undertaking an ambitious redisplay of the collection in the years to come.

“Galleries 14 to 18 on the ground floor have been temporarily removed from the public access route. The Museum has undertaken a programme of work within these galleries and the scheduling of this work was delayed due to the impact of the pandemic on the Museum’s programme.

“Further works and surveys were undertaken this summer and these galleries are currently closed to ensure the safety of our visitors and the collection whilst these surveys are carried out. There has previously been some water ingress in some gallery spaces closure.

“There is no confirmed date for their reopening, but we are working towards later this autumn.”

Images below showing the closed door that has been temporaily erected across the entrance of Room 23 of the British Museu's Greek galleries. With a notice explaining that Rooms 12-18 are closed. Some of the galleries are closed for social distancing purposes with others closed for maintenance.

Photo credit: Yannis Andritsopoulos, London Correspondent for the Greek daily newspaper Ta Nea, 09.10.2010 

Dr Tom Flynn's tweet below echoes the thoughts of many millions across the globe that support the reunification of the Parthenon Marbles:

On the occasion of the 50th anniversary of the UNESCO World Heritage Convention, the Hellenic Ministry of Culture and Sports and the Permanent Delegation of Greece to UNESCO in cooperation with the UNESCO World Heritage Centre organised an international Conference in Delphi (Greece) on 16 -18 November 2022, entitled: 'The Next 50 - The future of World Heritage in challenging times enhancing resilience and sustainability'.

The celebration of the 50th anniversary of the Convention for the Protection of the World Cultural and Natural Heritage as an international conference brought together several dozen experts from all over the world for two days on the site of Delphi.

Alongside representatives of UNESCO and the States Parties serving on the World Heritage Committee, the experts took stock of the Convention’s achievement and examined the challenges it faces in the 21st century.

The event  was  opened on Thursday 17 November at 11am by Audrey Azoulay, Director-General of UNESCO, and Kyriakos Mitsotakis, Prime Minister of Greece. To watch the proceedings folow the link here.

The Director-General of UNESCO announced a three-pronged action plan to make World Heritage more representative, accessible and sustainable over the coming decades.

Representativeness
Fifty years after its creation, the World Heritage Convention has been ratified by 194 States Parties, giving it a truly universal scope. It has paved the way for the inscription of 1,154 sites in more than 167 countries, recognizing a great diversity of cultural and natural heritage.

Nevertheless, significant geographical disparities persist in the World Heritage List. While some countries have more than 50 inscribed properties, others have none, as is the case of 12 African States Parties to the Convention. The whole of Africa only accounts for 9% of World Heritage sites.

Representativeness also requires greater inclusion of local and indigenous populations, who should be able to participate fully in the process from the nomination of sites for inscription to their management. They should also be able to reap the benefits of inscription.

Accessibility
The inscription of sites on the World Heritage List recognizes their outstanding universal value to be shared by all of humanity. The Convention’s main purpose is to ensure that such properties are preserved and transmitted to future generations.

While sharing and transmission are the two pillars of World Heritage, much remains to be done to ensure that sites are truly accessible to everyone, and in particular to the youngest. To help meet this challenge in the years to come, the international community disposes of new tools made available by digital technologies.

Sustainability
Today, there are 52 World Heritage sites “in danger”. Almost half of them are located on the African continent. They require the deployment of urgent safeguarding measures.

Faced with multiple human pressures including urban development, exploitation of resources, pollution, and overtourism, as well the resurgence of conflicts, all World Heritage sites need better protection.

Climate change has become the number one threat to natural World Heritage sites. It is already having negative impacts on 34% of them, and on 70% of marine sites. By 2100, half of all World Heritage glaciers and all World Heritage coral reefs could disappear.

World Heritage in numbers:
There are currently 1,154 sites on UNESCO’s World Heritage List:

897 cultural sites
218 natural sites
39 mixed sites (both cultural and natural)
43 transboundary sites (straddling the territories of two or more countries
52 sites are currently listed as being in danger.

In 50 years, three sites have been removed from the World Heritage List.

World Heritage sites are to be found in 167 countries.

BCRPM reflections: A great convention that embraced climate change and world cultural heritage and tourism. Important for nations to understand the seriousness of the situation and to make recommendations, resolutions within an international framework, however what is also needed is the political will, something we were also made aware of at COP27. And we could add that it is  political will that continues to evade the campaign for the reunification of the Parthenon Marbles too.

Reaching an agreement for the permanent return of the Parthenon Sculptures from the British Museum to Greece  “is difficult, but not impossible,” said Greek Culture Minister Lina Mendoni in Parliament on Monday, 23 January 2023. Dr Mendoni reiterated the government’s stance that this specific cultural request “remains national, unanimous, consistent and clear.”

Greece does not recognize the British Museum's claim of ownership with regards to the Parthenon Scultptures currently exibited in Room 18, as they comprise a product of theft. Dr Mendoni added that “the government has been working from the start systematically, responsibly, and effectively to achieve the national goal – the return and reunification of the Parthenon Sculptures to the Acropolis Museum in Athens.”

ANA-MPA news

Wednesday 29 January 2020 at the Acropolis Museum, the launch of the published proceedings of the 15 April 2019 International Conference: 'The Reunification of the Parthenon Sculptures'. The conference was held under the auspices of the President of the Hellenic Republic, Prokopios Pavlopoulos. A number of campaigning committees attended and some also spoke at the conference, including Professor Louis Godart, Chair of the International Association for the Reunification of the Parthenon Sculptures (IARPS), Dame Janet Suzman as Chair of the BCRPM and Professor Paul Cartledge as Vice Chair of the BCRPM.  

Both Professor Louis Godart as the Former Chair for the International Assciation and the current Chair Christiiane Tytgat, spoke at the event held on the 29th of January this year and their respective speeches can be read below. 

Chair of the International Association, Christiane Tytgat's address:

President of the International Association, Dr Christiane Tytgat's address at the launch of the Proceedings of the International Conference on the Reunification of the Parthenon Sculptures, held at the Acropolis Museum on April 15, 2019:
Your Excellency, Mr President, Your Excellency, Madam Minister, Dear Friends and Colleagues, Ladies and Gentlemen, first of all I would like to thank His Excellency, the President of the Hellenic Republic, Mr Pavlopoulos, the Minister of Culture and Sports, Dr Mendoni and the President of the Acropolis Museum, Professor Pantermalis for the honour of inviting me to be here with you today.

It is a great pleasure to be here again, in this wonderful Museum which celebrated its 10th anniversary last year with a series of events. Among these events, the key event was the opening of the archaeological excavation beneath the museum on the 20th of June 2019. Hence the Museum adds again an element to its precious wealth and shows, once again, that it is a museum always in motion, a museum that offers continually something new to its visitors. I wonder, how many other museums can say this without organising a temporary exhibition and bringing artefacts from elsewhere? Increasingly the Acropolis Museum evokes the image of the sacred rock: the Parthenon Room, at the top of the Acropolis Museum, which is waiting for more than 10 years to be completed, now dominates an ancient neighbourhood of Athens, as in ancient times the Acropolis was dominating the ancient city.

The conference "Reunification of the Parthenon Sculptures" was part of these anniversary festivities. I would add that after 10 years of the Museum's operation, it is a pity that we still have to hold another conference on this subject, however we can look at this in a positive way too. Many speakers from Greece, but also from all over the world made the journey to participate in the conference and show their interest in the issue of reunification. Each intervention embraced the issue from a different perspective, from the results of recent research and proposals for a solution to actions to keep the case in the news until we achieve our goal. The conference was resounding in its message, delivered so eloquently by so many speakers.

But "words are transient, yet the written texts remain forever". That is why it is very important that the Proceedings of the conference were published. There is also no better time to present them, since today begins the Year of Melina Mercouri, the great protagonist for the return of the Sculptures. We cannot honour her in a better way: her campaign for the return of the Parthenon Sculptures from the British Museum continues and her vision is more alive than ever.

Melina's campaign is no longer the struggle of any one person or the Hellenic Government who made the first request to the British Museum for the return in 1842. The struggle was transferred - and rightly so - globally, since the Parthenon and its Sculptures are a world cultural heritage.

In 1981, the first Committee was established in Australia, headed up by its President Emanuel Comino. It remains very active to this day. Following Melina's passionate appeal to UNESCO in 1982, the British Committee for the Reunification of the Parthenon Marbles was founded in 1983. This was followed by the formation of many more committees worldwide.

At a conference organized in November 2005 by the Hellenic Government, 12 national committees established the International Association for the Reunification of Parthenon Sculptures (IARPS) with the aim of supporting the Hellenic Government in its repatriation efforts and the reunification of all the surviving parts of the Sculptures in the new Acropolis Museum. Since then, other new national committees have joined the International Association, most recently France (2016), Austria (2017), and - as strange as it may seem - the oldest committee from Australia (2018). In January 2020 we were delighted to also welcome the new Luxembourg committee.

Today, the IARPS has a total of 21 national committees spanning 19 countries. Every now and then a committee, like Russia in recent years, had fallen by the wayside but Moscow has given the committee a new impetus for the last six months and with great enthusiasm is organising its first lecture in February this year under the auspices of the Greek Ambassador in Moscow.

The IARPS works closely with the Greek authorities and supports the policy of cultural diplomacy, which Greece has been pursuing for years. The return of the Sculptures is a moral problem rather than a legal one. The International Association, which coordinates the activities of the national committees, observes that the public interest continues to grow, clearly illustrated by the continuously growing number of participants in our activities. The general climate helps us probably: the call for the repatriation of cultural heritage artefacts is global. There isn’t a day when a new article is not published and new activities are taking place. And in England, key voices grow louder too. Big museums are under pressure every day. So we are all optimistic that the time will come when theses museums will be able to do nothing less than return the stolen parts of the Parthenon to the place they rightfully belong: the Acropolis Museum in Athens, where one can see the sculptures by Pheidias on display in the best possible conditions, in direct visual contact with the Parthenon, where they are an integral part of. It would be a very happy coincidence if this would happen in 2021, the 200nd anniversary of the outbreak of the Greek War of Independence.

In conclusion, as Chair of the International Association and its 21 national Committees, I extend a very warm thank you to H.E. the President of the Hellenic Republic, Mr Pavlopoulos for his support over the years for the reunification of the Parthenon Sculptures.

 To read more about the conference held on 15 April 2019, click here.

Professor Louis Godart, Former Chair of the International Association (2016-2019)

The stars in the skies of Attica and Greece saw the birth of Western Civilization, just as they saw the watchman above the palace of Mycenae catch the first evidence of the fall of Troy, and as they witnessed the enthusiasm of Pericles and of all the Athenians, when after 480 BC the city reinvented democracy, and rebuilt the monuments of Acropolis, the only place in the world where spirit and courage dwell together.

These are the very stars that also witnessed Elgin's assault when without any respect from 1801 to 1804 he violated the sanctity of the Parthenon, the temple, a global symbol of Democracy.

Inside the Acropolis Museum there is the stele of Mourning Athena. She is standing in front of another small stele. She is not wearing her aegis breastplate, her helmet doesn't cover her face. Her spear has its point on the base of the stele. What did the sculptor want to tell us when in about 460 BCE he carved this masterpiece?

Athena is the goddess of the intellect. She is also the goddess who is ready at all times for battle.

I believe that the stele bore the names of those Athenians who died at Marathon, Salamis and Plataea. Mourning Athena is showing the Athenians respect for those who saved Greece and Western Civilization. In our midst, the notion that Democracy must always be fought for is being honoured. We must always be ready, like the goddess, with our spear close to hand if we want to defend something of value and distinction.

So anyone who loves Greece and democracy - the Parthenon being as I said a symbol of Greece - must fight for the repatriation of Pheidias' sculptures.

I do not forget that in 1940 England - glory to the pilots of the RAF - saved European democracy. That Churchill said at the time: "Never in the field of human conflict was so much owed by so many to so few." England cannot today fail to heed the cry of everyone in the world who wants the sculptures to be near to the temple of the goddess. Today a lot of people in England are fighting alongside us. We will help them.

I hope that soon the stars of the heavens of Greece will again see the goddess' marbles beside the sacred rock.

Sunday 23 February 2020,  The Sunday Times, Deputy Editor Sarah Baxter, wrote her  modest proposal for the reunification of the Parthenon Marbles, aptly entitled: "The sane move is to give Greece back its Elgin marbles".

The first 'modet proposal' was written by Christopher Hitchens (pages 104 to 106) in the third edition of  'The Parthenon, The Case for Reunification' published by Versoin May 2008 and launched at Chatham House by the BCRPM. The second was written by Stephen Fry in 2011, you can  read that here too. 

Sarah Baxter attended the International Conference: 'The Reunification of the Parthenon Sculptures'  in Athens on 15 April 2019 and saw for her self  "the marvellous museum facing the Acropolis that was built 10 years ago to house the marbles — much lighter and more beautiful than the windowless strip devoted to the sculptures that is admired" at the British Museum. She also spoke at the conference which was hosted by the President of  the Hellenic Republic, Prokopios Pavlopoulos.

In the Sunday Times of the 23rd of February, Sarah Baxter suggestes  the UK had "no need to keep the marbles when it was possible to access the “universal” culture, so prized by the British Museum, by the clever use of technology. As mayor of London in 2016, Johnson had welcomed to Trafalgar Square a 3D replica of the beautiful arch of Palmyra destroyed by Isis in Syria. And, of course, his own trusty bust of Pericles, the “populist” who ordered the construction of most of the Acropolis, is a fake — and none the less inspirational for UK's prime minister."

Sarah's article can be accessed on line or follow the link here.

Following on from Sarah's article, the Director of the British Museum, Dr Hartwig Fischer wrote a letter, which was published on 01 March:

This email address is being protected from spambots. You need JavaScript enabled to view it.
Sunday March 01 2020, 12.01am, The Sunday Times

Greeks should be glad we have the marbles

Sarah Baxter’s column on the Parthenon sculptures asks us to imagine how we would feel if Big Ben had been transplanted to Athens (“The sane move is to give Greece back its marbles”, Comment, last week). This is to ignore the many buildings and artworks that have been reused, reshaped and often moved across borders, such as Duccio’s altarpiece the Maesta, elements of which have been removed from Siena cathedral and are held in museums across Europe and America.

The Parthenon sculptures are fragments of a lost whole that cannot be put back together. Only about 50% of the original sculptures survive from antiquity. The Parthenon has become a European monument precisely because its sculptures can be seen not only in Athens but in London and other European cities. The public benefit of this distribution and what it means for our shared cultural inheritance is self-evident, and something to celebrate.

Hartwig Fischer, director, British Museum

Minister of Culture for Greece, Dr Lina Mendoni also responded by saying that Dr Fischer's letter was as “unfortunate, if not outright unacceptable.” To read one of the article's quoting Dr Mendoni, follow the link here.

As expected, this was not well received by most not just in the UK but elsewhere too. Yannis Andritsopoulos, London Correspondent for Ta Nea, Greece's daily newspaper, wrote an article  following on from Dr Fischer's letter to the Sunday Times, quoting a number of BCRPM members including Janet Suzman, Alex Benakis,  Dr Peter Thonemann and Professor John Tasioulas. An English version of the Ta Nea article can be read here.

As Chair of the BCRPM, Janet also submitted a letter to the Sunday Times, which is printed in today's paper, alongside one from Dr Peter Thonemann Professor of ancient history, Wadham College, Oxford  and a member of BCRPM. The online link is here and the texts for both letters are below:

Behind the Times at the Museum

Hartwig Fischer, the director of the British Museum and a respected art historian, fails to find a credible parallel for the Parthenon’s dispersed marbles (“Greeks should be glad we have the marbles”, Letters, last week). This is not surprising: there is none.

Thinking people in London were holding anguished debates on the merits of keeping the marbles 200 years ago. They still are. What has changed is the mood abroad: colonial acquisitions are regarded with an increasingly active disdain.

The Greeks have waited for the return of the marbles since 1843, with great dignity and patience. After his latest utterance in defence of the indefensible, Fischer should be aware that patience is wearing thin.

Janet Suzman, chairwoman, British Committee for the Reunification of the Parthenon Marbles

Hack job
Since the Parthenon frieze cannot be fully put back together, Fischer thinks that having its sculptures spread around London and other European cities is a “public benefit” and “something to celebrate”.

My local museum doesn’t have any bits of the Parthenon, and the British Museum has loads. It’s not fair. I wonder if Fischer might be persuaded to hack a few pretty bits off his sculptures and send them our way. If the division between Athens and London is to be celebrated, surely dividing them further would be even more beneficial.
Peter Thonemann, Professor of ancient history, Wadham College, Oxford (member of BCRPM)

Read Janet Suzman's letter sent directly to Dr Fischer on Friday by post and by email. 

Images from left to right: Sarah Baxter Deputy Editor of the Sunday Times, Dr Hartwig Fischer Drirector of the British Museum, Dr Lina Mendoni Greek Minister of Culture and Sport, Dame Janet Suzman BCRPM, Dr Peter Thonemann, Professor of Ancient History, Wadham College, Oxford and BCRPM member